The Renaissance of emotion: Understanding affect in Shakespeare and his contemporaries

The Renaissance of emotion: Understanding affect in Shakespeare and his contemporaries

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This collection of essays offers a major reassessment of the meaning and significance of emotional experience in the work of Shakespeare and his contemporaries. Recent scholarship on early modern emotion has relied on a medical-historical approach, resulting in a picture of emotional experience that stresses the dominance of the material, humoral body. While such scholarship has been important in foregrounding questions related to historical phenomenology and embodiment, it has obscured the extent to which other intellectual and creative frameworks - including religion, philosophy, rhetoric and drama - also shaped cultural beliefs about emotion in the period. The Renaissance of Emotion seeks to redress this balance by examining the ways in which Shakespeare and his contemporaries explored emotional experience from perspectives other than humoral medicine. Bringing together an international group of established and emerging scholars, the volume demonstrates how open, creative and agency-ridden the experience and interpretation of early modern emotion could be. Taken individually, the chapters offer much-needed investigations into previously overlooked areas of emotional experience and signification; taken together, they offer a thorough re-evaluation of the cultural priorities and phenomenological principles that shaped the understanding of the emotive self in the early modern period. The Renaissance of Emotion will be of particular interest to students and scholars of Shakespeare and Renaissance literature, the history of emotion, theatre and cultural history, and the history of ideas.Wood thus uses the concept to open up larger questions of mimesis and representation, and argues that spleen does not ... Meeka#39;s chapter adopts a different approach, and reads the play in relation to the development of the terms sympathy and ... emotional comparability relates to the ways in which the play itself is embedded in a larger process of literary allusion ... In this speech Richard seemingly uses the term sympathise to mean a#39;to answer or correspond toa#39;; yet the fact that thisanbsp;...

Title:The Renaissance of emotion: Understanding affect in Shakespeare and his contemporaries
Author: Richard Meek, Erin Sullivan
Publisher:Oxford University Press - 2015-06-01

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